Forgotten Films: Bulldog Drummond (1929)

The 1929 version of Bulldog Drummond stars the dashing Ronald Colman.

By Scott A. Cupp

This is the 184th in my series of Forgotten, Obscure or Neglected Films

This week, I am still hanging out in the early stages of cinema with the first talkie version of Bulldog Drummond. (There had been two silent films prior to this one.)

If you are not familiar with Bulldog Drummond, you should correct that fault. Hugh “Bulldog” Drummond is one of the singular British heroes of the period between the World Wars. He is the creation of “Sapper” (otherwise known as H. C. McNeile. Sapper did ten novels featuring Drummond prior to his death in 1937 from throat cancer. The series of was continued by Gerald Fairley (seven novels until 1954) then Henry Reymond (two novels in the late ’60s). While not a first-tier character like Tarzan, Sherlock Holmes, or Superman, he was a fairly well-known and popular character during his time. His popularity was on a par with Fu Manchu. Wikipedia lists 23 films featuring Drummond from 1922 to 1969, including the two silent versions with 12 different actors taking on the role. Alan Moore even inserted him into the League of Extraordinary Gentlemen history, while Philip Jose Farmer includes him in his Wold-Newton Universe of various heroes and villains.

The 1929 version of Bulldog Drummond has several distinctions going for it. First, it was a talking picture. Second, the star was a well-known silent film star trying to make the jump to the talkies. Ronald Colman was dashing and heroic. He had appeared in more than 25 films prior to the talking revolution, per IMDB. Samuel Goldwyn wanted to make a splash with Colman’s debut in the sound era, and he decided Bulldog Drummond would be the vehicle. As Singing in the Rain showed us, many silent stars had trouble making the transition. Colman was not one of them. This was the perfect choice. In fact, he got an Academy Award nomination for Best Actor as a result.

But, on to the film. As it opens, “Bulldog” Drummond is sitting at his club one night. He is amazingly bored. The most exciting thing happening is that someone has dropped a spoon. He is too rich to work and totally bored. So, he posts an ad in a London newspaper. He states that he is bored and looking for adventure. It gives a post box for replies. Almost immediately he receives one.

A woman asks if he is serious. If he is, she requests that he meet her at an inn where she has reserved a room for “John Smith.” She asks to meet him at midnight. He arrives and meets Phyllis Benton (Joan Bennett). But his good friend Algy (Claud Allister) is suspicious of the whole matter and drags along Drummond’s valet, Danny (Wilson Benge).

Phyllis tells Drummond a strange story involving her uncle; John Travers (Charles Sellon), whom she suspects has been kidnapped into a hospital and is held against his will. He is rich, so money is the obvious motive. The hospital is run by Dr. Lakington (Lawrence Grant), who is aided by Carl Peterson (Montagu Love) and the slinky Irma (Lilyan Tashman). Drummond soon determines that Phyllis is correct and he sets out to rescue Travers.

Algy and Danny provide some comic relief amid all the posturing, testosterone and action. There are twists and turns in the overall process, but Drummond finally succeeds.

Bulldog Drummond is fun film and it kept my interest. There was some horrendous overacting by Joan Bennett, who took a little longer to make the successful transition to sound pictures. The film music was sparse, as was true early on. So there are some long silences in the film.

I’ve seen several of the later Bulldog Drummond films with Tom Conway, Walter Pigeon and John Howard, who played Drummond seven times. Ronald Coleman recreated the role in Bulldog Drummond Strikes Back. They are passable B films of the times.

Of course, your mileage on the first Drummond talkie may vary, particularly during the comic bits. But I recommend this one.

Series organizer Todd Mason host Tuesday Forgotten Film reviews at his own blog and posts a complete list of participating blogs.




Forgotten Films: The Invisible Woman (1940)

The Invisible Woman: It's a fun flick if you also expect the logic to be invisible.

By Scott A. Cupp

This is the 134th my series of Forgotten, Obscure or Neglected Films

This summer, as every summer, TCM did their Summer Under the Stars festival and featured a star for every day. One of the days was devoted to Virginia Bruce (1910 – 1982), a star I was not very familiar with. She made a lot of films, one or two of which I had seen, but she was just not a name or face that I knew.

When browsing the TCM schedule I saw a listing for The Invisible Woman for the day with John Barrymore, Virginia Bruce and John Howard and a description of a vaguely sf-ish film, so I made the DVR work. A month has passed and it has been sitting on the DVR, and while I was searching for a film to review, this was the one that spoke to me.

This is a charming little film, no great work, not a movie of big thinks or anything special, but it has its moments. Richard Russell is a rich man with a fondness for women and scandal. He is supporting Professor Gibbs (John Barrymore) at his home that spends a great deal of money on crackpot ideas.

When Russell finds out he is broke, he cuts off the money to Gibbs just when Gibbs has a potential gold mine. So Gibbs has to amend a personal ad for a volunteer for an experiment to be turned invisible. The previous listing of $3,000 remuneration has to be changed to no remuneration just as the ad is set to run. This elicits lots of snarky mail but only one response which is positive, from a K. Carroll. Gibbs sends a note for Mr. Carroll to be there at his lab the following day, unaware that K. Carroll is actually Kitty Carroll (Virginia Bruce).

Kitty works as a model for a dress shop run by Mr. Growley (Charles Lane), who is a mean spirited manager, docking Kitty an hour for clocking in two minutes late and firing another girl for having a cold. Jobs are hard to come by and he can get away with this. Kitty is willing to become invisible so she can give him what for.

Gibbs is, of course, surprised when K. Carroll turns out to be female and upset when she disappears from the lab as soon as she is invisible. This causes Russell to doubt the Professor’s veracity, much to the delight of his butler, George (Charles Ruggles) who dislikes the Professor intently. Russell heads out to his cabin to get away from everything including the Professor.

Kitty has to take off her clothes to be invisible, but she gets her revenge on Growley, pretending to be his conscience. She kicks him, destroys some dresses, and rips the time clock off the wall. When she returns to the Professor’s lab, he is being menaced by some thugs led by Foghorn (the wonderful Donald McBride) and his men, including Frankie (Shemp Howard, in an unexpected role). Foghorn works for criminal Blackie (Oskar Homolka) who is hiding out in Mexico unable to return and homesick.

Kitty spooks the thugs and they exit. Gibbs and Kitty go to the cabin, where they get caught in the rain. Kitty tries to warm herself up with some brandy and it increases the invisibility. Eventually Russell begins to believe that the gizmo works while Kitty has to sleep off her booze.

When they return to the lab, they find that Foghorn and his men have stolen all of the equipment (but not the injected serum) which helps control the process.

In Mexico, Foghorn is volunteered to try the process for Blackie and, without the injection, finds that it makes his voice higher and his height lower. Enter Kitty and the Professor to try and reclaim the equipment, while Russell, who is falling in love with Kitty, follows.

True love triumphs and the film closes with Russell and Kitty examining their baby boy some distinct time in the future. The child promptly fades away.

As I said, not a major film, but I had fun with it. Common sense does not bother to intrude into the film plot. But I enjoyed it. In addition to Shemp, another surprise guest was Margaret Hamilton, just a year after the Wizard of Oz as Gibbs’ housekeeper. Also Maria Montez appears briefly as one of Kitty’s co-workers modeling dresses.

Don’t rush out to find it, but if the opportunity presents itself, it’s worth a watching.

Series organizer Todd Mason hosts more Tuesday Forgotten Film reviews at his own blog and posts a complete list of participating blogs.