Forgotten Book: Gestapo Mars by Victor Gischler (2015)

Gestapo Mars: Lots of fun, but don't expect to find it at your local Barnes & Noble.

By Scott A. Cupp

This is the 165th in my series of Forgotten Books.

I hope you all had a wonderful Halloween with lots of costumes and candy and fun. We had rain in San Antonio, first early in the day and then again just as the sun went down. Kind of dampened a few spirits and ghouls too.

This week I need to talk about one of my favorite living writers, Victor Gischler. It was Bill Crider who I blame for pointing me in Gischler’s direction. VG was looking for “Gischler virgins” (people who had never read his work) to try a test on. I responded that I was a virgin and he sent me a copy of Shotgun Opera. The only requirement was that I read the book and post a review. If I liked it, great. If not, tell people what I thought and pass the book on.

I posted my review on Amazon and it went along the lines of “What if Quentin Tarrant no had directed the Marx Brothers in Kill Bill and they had done it in drag?” That really didn’t describe the plot of the book, but it certainly captured the flavor. Gischler is not going to be your mother’s thriller writer. Conventional is not a word to enter into these discussions.

I’ve read many of his books, but not all. A couple are waiting for me to get to them. I just cannot binge on this stuff. But I love what I read. When I was Toastmaster at ArmadilloCon a few years back, the committee asked if there was anyone they could invite that I wanted to come. I told them Gischler’s name and he came in from Baton Rouge. He seems like a nice normal person, and I think he had a good time. I know I enjoyed seeing him there.

So this week we are looking at his new science fiction thriller which is not likely to be in a lot of places because … well, it’s not very PC. Gestapo Mars is a title unlikely to send Barnes & Noble ordering 150 copies per store. It’s much more likely to be in the one-or-fewer copy range. Much like Norman Spinrad’s The Iron Dream, this attempts to make a Nazi sympathetic hero work for the reader.

Carter Sloan is a programmed and highly trained assassin and spy for the Third Reich, which is still in existence several centuries from now. He has been in cryostorage for 258 years, awaiting a mission. When he is awaked, he is told that he will be invading a resistance group looking for the Daughter of the Brass Dragon. Almost immediately, the people reviving him are attacked by the Nazis, who also want him to get to the Daughter of the Brass Dragon. His instructions are a little vague. He will have to improvise and move along. When he finds the Daughter he is to capture her. Or maybe kill her. No, it’s capture. Then it’s kill. Things get a little weird.

He is sent to the moon in a disguise and is accepted by the resistance and the lovely Meredith Capulet, who agrees to smuggle him out. But nothing goes as planned, and her little flyer is attacked by the aliens of the Coriandon race, gelatinous beings from somewhere not near here.

To save himself, he must reveal his Nazi connections and call for help. This obviously does not set well with Meredith, but he wants to live and love again. Bad things happen to the Nazis, and Carter and Meredith are on a slow ship back to the Nazi stronghold on Mars.

But, wait, things have changed. The resistance has moved against the Nazis, and no one is safe. His mission changes until he no longer cares and just wants to survive. Enter the exploding dog with new missions.

The action is fast, furious and irreverent. Sloan has to question all sides and make love to all available women. It’s kind of like Raiders of the Lost Reich, as situations change every few pages. The Nazis and resistance need to unite, because the gooey aliens are coming and they have big guns.

It’s a fun and fast read full of in jokes and odd stuff. When someone sings “Hey, hey we’re the Nazis. The people say we Nazi around,” you know sanity has left the building.

As usual, your mileage may vary, but if Ernie Kovacs and Monty Python are your type of humor, along with a tiny sprinkle of Benny Hill, you can find a home on Gestapo Mars. And the cover is fun, too.

Series organizer Patti Abbott hosts more Friday Forgotten Book reviews at her own blog, and posts a complete list of participating blogs.

 

Forgotten Films: The Castle of Fu Manchu (1969)

You know a movie's bad when it makes Christopher Lee boring.

By Scott A. Cupp

This is the 140th my series of Forgotten, Obscure or Neglected Films

We once again return to Fu Manchu for a Forgotten Film. Previously, I have reviewed The Blood of Fu Manchu (Forgotten Film 10) and the serial adventure Drums of Fu Manchu (Forgotten Film 33), so it has been a while since I returned to the famed mastermind of all evil.

Fu Manchu is, as you all should know, the creation of Arthur Sarsfield Ward writing as Sax Rohmer in 1911. He appeared in 14 books (13 novels and one collection) from Rohmer, then two from Rohmer’s former assistant Cay Van Ash, and three from William Patrick Maynard. I’ve read most of the Rohmer and the two Van Ash novels which I enjoyed. I have not tried the Maynard, though I intend to one day.

There have been 12 movie adaptations and one spoof with Peter Sellers. Two of these films are silent British productions I have never seen. The most famous Fu Manchu film is probably The Mask of Fu Manchu starring Boris Karloff as the sinister doctor and Myra Loy (!!) as his daughter. The film was suppressed for many years as it had many objectionable issues such as Fu inciting a crowd of rabble to ”Kill the white man and take his women!” Also casting a British actor as an Asian character was not well received here nor in the two films where the famous Swedish actor Warner Oland also portrayed Dr. Fu Manchu. Oland also portrayed Charlie Chan in films.

So, let’s get to this one. This is the fifth (and final) time Christopher Lee sat in the role. And this time he had director Jess Franco at the helm. There was a time when Jess Franco did good work. This wasn’t one of them. Fu Manchu has a formula where he can turn large quantities of water into ice. He does this, turning a Caribbean cruise into a rerun of Titanic.

Fu issues an ultimatum to the world. Having shown his mastery of water, he asks the world to give in to his demands (which are not detailed for us in the general public). If not, in two weeks he will wreak havoc again. To do this, he decides to settle into Istanbul and use the Black Sea as his personal ice cube tray. But there is a flaw in the program and he needs some assistance from Dr. Heracles (Gustavo Re). But Heracles has a weak heart so Fu needs the assistance of Dr. Curt Kessler (Gunther Stoll) and his assistant Ingrid (Maria Perschy).

But Scotland Yard is not sitting back waiting for the iceman to come. They have sent out Fu Manchu’s perennial nemesis Sir Dennis Nayland Smith (Richard Greene) and his friend Dr. Petrie (Howard Marion Crawford). While Smith and Petrie are talking to Kessler, Lin Tang, Fu Manchu’s totally evil and attractive daughter (Tsai Chin) kidnaps Kessler and Ingrid and takes them to Istanbul.

Kessler has been taken to replace Heracles’ heart with that of an able-bodied henchman who is willing to die to the cause. At this point, what little plot the film had seems to have been forgotten. There are useless interludes with various Turkish emissaries, including director Jess Franco in the role of Ahmet.

How bad is this film? I got bored while watching it. I GOT BORED WATCHING CHRISTOPHER LEE!!!!! How does that happen?

IMDB gives it a 2.6 out of 10 rating. As a comparison, I can only say Plan 9 From Outer Space has a 4.0 and Robot Monster has a 2.9. Manos: The Hands of Fate does have a 1.9. Make your own decision there.

The Castle of Fu Manchu did get the Mystery Science Theater 3000 treatment in 1992. I have not seen that version. I’m sure it will be better than this. You have been warned.

Series organizer Todd Mason hosts more Tuesday Forgotten Film reviews at his own blog and posts a complete list of participating blogs.