Forgotten Films: The Thing From Another World (1951)

The Thing From Another World: the first and arguably the best

By Scott A. Cupp

This is the 147th my series of Forgotten, Obscure or Neglected Films

As mentioned in the previous column, it is time to come to The Thing From Another World. I don’t know if this is “forgotten.” Certainly when I was in college or earlier, it was quite well known. But tastes have changed over the years and the two re-makes (both called The Thing) are much better known, and this one has fallen by the wayside.

But I have a backstory with this film. While in college around 1973, I worked a variety of jobs. At one of them I worked with a very nice college student named Marcia. We went out a few times but nothing really clicked. She knew I liked science fiction, and one day she told me about the science fiction club at the University of Texas. They were making a trip to Enchanted Rock on the upcoming Sunday. Since I worked retail, she suggested I might go. The flyer she saw said everyone was welcome.

That Sunday, I showed up and met some of the best friends I ever had. Among them were Bill Wallace, Dianne Kraft, Bud Simons, Bruce Sterling and more (my memories have faded quite a bit since then). We all made the trip and had a great time and some great food at the Salt Lick afterwards.

I was invited to some more events they had and became a member. Not too much later, we all decided to attend AggieCon 4. The guests were Jack Williamson, Chad Oliver and fan guest Bob Vardeman. This weekend changed my life! Seriously! It was my first SF convention (or first convention of any sort, other than high school Math and German conferences, which had only day meetings and I attended as part of school functions). Again, I met many more interesting people and had the time of my life!

Among the things that happened there were my first trip to a dealer’s room and first collectible SF purchases, which included an old Famous Fantastic Mysteries pulp, an Arthur C. Clarke galley and a paperback. I saw my first Arkham House books (though Bill Wallace would later show me his collection, which was virtually complete at that point and was later completed). And I found the film room.

I saw Barbarella on a big screen. Not the big screen at Texas A&M in Rudder Tower (that was not complete then, but I still saw the movie a big screen). There was a war film called The Best of Enemies, if I recall correctly and I am really not sure about this one. And someone brought in a bootleg 16mm copy of The Thing From Another World.

I had read the John W. Campbell story “Who Goes There” prior to this, and I knew it had been filmed, but I had never seen it. It was late at night, so no questions about the origin of the print would be asked. But I sat there with other fans and new friends and watched a glorious film.

The story is pretty basic. A team of scientists led by Doctor Carrington (Robert Cornthwaite) see something crash land near their station and request that the military send some troops to check it out. Captain Patrick Hendry (Kenneth Tobey) arrives with a few men and a bored newspaper reporter, Ned Scott (Douglas Spencer). Carrington shows the group photographs that prove something odd has happened and, using science, they triangulate where the crash took place.

On the snow they see strange markings and an area of fused ice which is different from their surroundings. Through the ice, they see a craft, and using the men, determine that it is large and circular. They have found a flying saucer. The men try to use thermite charges to deice the object but that backfires and the saucer is destroyed. A Geiger counter reveals a radioactive presence, and a large figure (presumably the pilot of the craft) is found encased within a block of ice.

Not sure what else to do, they return to the scientific base. Weather prevents them from returning to Anchorage, where they have more facilities. Carrington wants to see what is in the ice, but Hendry is opposed to fooling with something they do not understand. Tension arises at the base and the men form sides. Dr. Carrington’s assistant/secretary/recorder Nikki (Margaret Sheridan) knew Hendry previously and is interested in seeing him some more.

And this wouldn’t be a good film if accidents did not happen. The block of ice thaws and the “thing” (James Arness – Marshall Matt Dillon, his ownself) escapes. As alien attacks the group, they are able to escape and it is sent outside into the way sub-zero storm where it encounters sled dogs. They later find that the dogs have removed an arm from the beast. Carrington and the scientists examine it and find that the creature is not even an animal. It is a vegetable (an intelligent carrot).

While others try to find the creature and protect the group, Dr. Carrington begins some experimentation and finds out the thing thrives and regenerates with human plasma. There follows a long discussion on what the duties of a scientist are in such a threatening situation like this as opposed to the military point of view. Then the creature begins sabotaging the heating system and everyone sees that they must work together to survive.

I’ll let you watch it (if you have not done so before) to see how they escape. I really enjoyed this film. I like it more than the two color John Carpenter films which are both very good horror films. This one is an atmospheric, moody piece with slow building suspense as opposed to the action effects-reliant later films. All are good. But this is my favorite.

The film is available from the usual outlets online and is not very expensive. If you have not seen it (or it’s been a while) you might check it out again. If your only exposure via John Carpenter, give this one a try.

But, as always, your tastes and my tastes are probably different, and your mileage may vary.

Oh, yeah, “Watch the skies!”

Series organizer Todd Mason hosts more Tuesday Forgotten Film reviews at his own blog and posts a complete list of participating blogs.

 

Forgotten Book: Earthbound by Richard Matheson (1982)

Spooky, erotic stuff lies inside the covers of Richard Matheson's Earthbound.

This is the 164th in my series of Forgotten Books.

All of you should know the work of Richard Matheson, particularly at this time of year. His work for The Twilight Zone alone is enough to make him a demi-god. Then there were his wonderful movies, adapting Edgar Allan Poe and others like Fritz Leiber, which he and Charles Beaumont, another demi-god, adapted in Burn, Witch, Burn. I reviewed that film several years ago. If you have not seen it, you should.

But, beyond those wonderful cinematic things, there is the literary Richard Matheson. First it was the short stories. The collections Born of Man and Woman, Shock!, Shock II, Shock III, Shock Waves, Shock 4 and The Shores of Space are treasures beyond measure. The signed Collected Stories by Richard Matheson is one of the core books of my library. It was expensive but worth every penny I spent.

Then there are the novels. You must have read some of them – I Am Legend, The Shrinking Man, his war novel The Beardless Warriors, the amazing Hell House, Bid Time Return and What Dreams May Come, among many others. If you have not read these books, put down this column and go find them. Get any copy you can. It won’t matter. You will fall in love with the stories, with the printed word and with the mind of the Master.

I met RM only one time, at a World Fantasy Convention in Arizona. We didn’t talk long. It would have been embarrassing because I would have blithered like an idiot. We talked about a mutual friend Chad Oliver and RM spoke fondly of Chad’s days in California. Then he was gone, and I was still alive after being in his presence.

Not many writers affect me like that. But Matheson was a personal hero and I went all fanboy.

To this book now.

Earthbound is an overlooked Matheson title. It was originally published by Playboy Press under the pseudonym Logan Swanson in an uninspired looking paperback edition. Very few people saw it. In 1989, a small press in the UK, Robinson Publishing, presented the work in a hardcover edition bearing Matheson’s name and a creepy cover that was not given an artist credit.

Earthbound's original, far less exciting cover.

I had this book for a long time and decided that since this was Halloween week, I might as well read the master. What a quick, wild read. David and Ellen are a California couple whose marriage is in serious trouble. David has had an affair and been caught. He loves Ellen, in his way, but they have been married more than 20 years. Their kids are grown and gone. They are about to be grandparents and David is feeling mortality.

They decide to go on a second honeymoon back to the small town where they originally honeymooned. But their original cottage is gone to a fire, so they take another one nearby. They visit some of the same places, order the same meals but something is just not right.

Then David meets Marianna, a free spirit who wants nothing more than wild sex and depravity. When David succumbs to her temptations he feels excitement, guilt, lust, enervation and more. David immediately resents the liaison and vows to be faithful to Ellen. But Marianna is persuasive.

The novel moves between erotic thriller into erotic horror with astounding ease and makes twists and turns you don’t see coming (or at least I didn’t), leading to violent confrontation and resolution.

It’s short, vicious and packs a mean punch. Just like a Richard Matheson novel should.

Again, Halloween is a couple of days away. Enjoy your favorite horrors and candy and films. Scare yourself.

Series organizer Patti Abbott hosts more Friday Forgotten Book reviews at her own blog, and posts a complete list of participating blogs.

 

Horny Toads and Ugly Chickens: A&M’s speculative fiction collection

The first issue of Amazing Stories is just one of the items in Texas A&M's speculative fiction collection.

Ever heard of the 1975 novel “Doomsday Clock,” published in San Antonio with an actual fuse sticking out of its cover? What about “Overshoot,” a 1998 Ace paperback about an elderly Alamo City woman reflecting on how global warming brought down civilization? Or the Asimov’s story “One Night in Mulberry Court,” in which a blue-skinned alien anthropologist moves into a San Antonio trailer park?

Don’t feel bad. Until a couple days ago, I hadn’t either.

I discovered their existence virtually via the online site for Texas A&M’s Science Fiction and Fantasy Research Collection. Seems the Aggies have amassed a 54,000-piece collection of speculative fiction plus related history and criticism, much of it Texas-related. The collection houses the papers and manuscripts of Chad Oliver, Michael Moorcock and George R. R. Martin. What’s more, it contains over 90 percent of the American science fiction pulp magazines published prior to 1980, including the 1923 debut issue of Weird Tales.

Perhaps even cooler, it’s all searchable by author, title, imprint, and subject terms via an online database.

As an added perk, the A&M site also includes Bill Page’s 1991 essay “Horny Toads and Ugly Chickens: A Bibliography on Texas in Speculative Fiction,” which draws the “Ugly Chickens” part of its title from Austin writer Howard Waldrop’s wildly imaginative short story of the same name.

“The mystique of the old west has long been an alluring subject for authors; even Jules Verne and Bram Stoker used Texans in stories,” Page writes. “As one reads science fiction and fantasy novels set in Texas, certain themes repeat themselves. There are, of course, numerous works about ghosts, vampires, and werewolves. Authors often write about invasions of the state, not only by creatures from outer space, but also by foreigners, including the Russians, the Mexicans, and even the Israelis.” (There he goes with another Howard Waldrop reference. This time, Waldrop and Jake Saunders’ novel “The Texas Israeli War.”)

The essay gives an exhaustive listing of Texas sf/fantasy/horror authors, both known (Robert E. Howard and Joe R. Lansdale) and not-so-known (Leonard M. Sanders and Joan Johnston), and a list of stories and books by non-Texans set in the Lone Star State. Bummer it’s almost 20 years old, though.

And while you’re there, you might as well peruse other features, including extensive bibliographies of Robert Heinlein, Judith Merril and Sam Moskowitz.

All told, the A&M site is an impressive resource for those of us who just can’t get enough Lone Star lore in our speculative fiction.