FORGOTTEN BOOK: Run from the Hunter by Keith Grantland (Charles Beaumont and John Tomerlin), 1957

The "wrong man" suspense novel Run from the Hunter takes place around Mardi Gras in Mobile, Alabama, which makes it a fun, fast read for this time of year.

By Scott A. Cupp

This is the 176th in my series of Forgotten Books.

As I write this, Mardi Gras is being celebrated across the country and in New Orleans with fine gusto. I have never been to the various parades and such since I dislike large crowds and drunken revelries as a general rule. But I have friends who are there right now collecting beads, listening to blues and jazz and eating some mighty fine food.

So I decided to celebrate Mardi Gras in a different way by reading a mystery set during Mardi Gras, though in Mobile, Alabama. In Run from the Hunter, Chris Adams is a former columnist for the Mobile Messenger who has been convicted of killing his former girlfriend Steffany Fontaine. There seems to be a motive, since she was running around on him. Adams is innocent and a bartender should have provided the alibi, but, for some reason, the bartender lied and now Adams is on his way to prison via railroad.

Mobster Frank Giogio is on the same train with the same destination intended. But he confides in Adams that the train will be derailed in four minutes. Adams tries to alert the police who do not believe anything he says. They should have listened.

Giorgio is killed when the bridge over the swamp is blown up, as are several policemen. But Adams survives and manages to get the handcuff key and escape into the dark and the bayou. The police are definitely going to be following him.

In the darkness, he manages to find a run-down house and takes shelter. But he is soon surprised by a young woman with a rifle. His case is now well known and the young woman, Loni Gaillard, recognizes him. And so does her mother. Adams tells his story and Mrs. Gaillard believes him. Besides, the rifle has no bullets.

Adams is allowed to sleep the night before he’s sent to see Jericho, an old man who agrees to help him. Jericho has an old Deusenberg that they use to go back to Mobile. Meanwhile, tracking Adams is Lieutenant Carr, the police homicide detective who built the case against him. Turns out, Carr was also one of Steffany’s suitors. He took her death pretty badly and has vowed to track Adams down.

Since it’s Mardi Gras and Adams is afraid of being recognized, he and Jericho stop for costumes, a pirate costume for Adams and a skeleton for Jericho. Adams contacts his former boss, Sheridan “Sherry” Paige, for help. They track down the bartender to question him about his perjury, only to find him dead. Things seem to be progressing poorly for Adams as the police keep getting closer and closer.

Run from the Hunter is a pretty nice suspense and mystery novel, which Beaumont began but turned over to his friend Tomerlin to finish. The duo worked together on the final draft and polish. The original edition was published by Gold Medal under the Keith Grantland name, which Tomerlin says in his introduction to the Centipede Press edition was from the middle names of each of their sons. There were two printings from Gold Medal and a hardback edition in the UK from Boardman. I’ve had both the Gold Medal printings, which had different covers, and I recently acquired the Centipede Press edition, which is very nice and contains a decent short story, “Moon in Gemini,” by the pair.

I have read a lot of Beaumont’s short fiction. I’ve got his solo novel The Intruder, which was filmed in the early 60’s with William Shatner in the lead. I haven’t read it yet, though it has a good reputation. The quality of Beaumont’s short work gives me hope for it. The film version was made by Roger Corman and is one of the few Corman films to not make a profit. IMDB shows a 7.8 out of ten rating for the film. Apparently Beaumont, William F. Nolan and George Clayton Johnson all have bit parts in it.

Centipede Press also did a recent edition of that novel, which is the edition I have. They make very nice books. They are expensive but the quality that goes into the finished product is always worthwhile.

So enjoy your Mardi Gras and have a wonderful weekend. Check out Run from the Hunter if you get the chance. It’s a worthy novel that deserves a larger audience.

Series organizer Patti Abbott hosts more Friday Forgotten Book reviews at her own blog, and posts a complete list of participating blogs.

 

Haunting Question: What’s Your Go-To Scary Movie for Halloween?

 

If you’re a horror buff you undoubtedly have a go-to film when the Halloween spirit drifts in on cool autumn air. You know, that one you find yourself glued to the instant it pops up on the cable horror marathon.

In my case, it’s The Shining. I find it impossible to resist its calling. Stanley Kubrick’s camera bestows the haunted hotel with an unsettling beauty and Jack Nicholson’s performance is a brilliant tightrope walk between hammy and terrifying.

I asked other writers — some who specialize in horror and others who don’t — what fright flicks they’re most likely to throw on the DVD player this time of year. Here’s hoping the answers send you exploring creepy new cinematic territory or revisiting old nightmares.

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Lee Thomas: Lee Thomas is the Lambda Literary Award and Bram Stoker Award-winning author of more than 20 books, including The Dust of Wonderland, In the Closet, Under the Bed, The German, Torn, Ash Street, Like Light for Flies and Butcher’s Road. Writing as Thomas Pendleton and Dallas Reed, he is the author of the novels Mason, Shimmer and The Calling from HarperTeen. He is also the co-author (with Stefan Petrucha) of the Wicked Dead series of books for young adults.

One of the nightmarish creatures that emerges from The Mist.

While season-specific titles – Halloween (1978) and Trick ‘r Treat (2007) – always make for great viewing this time of year, I have a – relatively – new seasonal favorite in Frank Darabont’s adaptation of Stephen King’s The Mist (2007). Great performances from the cast and a nihilistic ending that will piss off grandma, The Mist is a modern creature-feature classic. I watch it in black and white, which ups the nightmare vibe considerably.

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Yvette Benavides: Yvette Benavides is an author of literary fiction, often set on the U.S.-Mexico border, and an associate professor of English at Our Lady of the Lake University. She teaches composition and literature courses as well as courses in the combined MA/MFA program in literature, creative writing and social justice.

Let’s Scare Jessica to Death. I guess it’s the first one that comes to mind because it is the scariest — at least the early imprint of it. (It was made in 1971.) I watched it on late-night TV a few years after it was made, when I was maybe 8 or 9. An emotionally/mentally fragile woman feels unsafe in her home. That’s scary. The psychological vampires won’t leave.

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The atmosphere of British film The Innocents earned high marks from Steve Rasnic Tem.

Steve Rasnic Tem: Steve Rasnic Tem’s short fiction has been compared to the work of Franz Kafka, Dino Buzzati, Ray Bradbury and Raymond Carver, but to quote Joe R. Lansdale: “Steve Rasnic Tem is a school of writing unto himself.” His 300 plus published pieces have garnered him a British Fantasy Award, and nominations for the World Fantasy and Bram Stoker Awards.

It varies over time, but again and again I find myself returning to Jack Clayton’s The Innocents. It’s wonderfully atmospheric, and explores very well the idea of how the past can maintain a terrible hold on the present.

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Joe R. Lansdale: Champion Mojo Storyteller Joe R. Lansdale is the author of over forty novels and numerous short stories. His work has appeared in national anthologies, magazines, and collections, as well as numerous foreign publications. He has written for comics, television, film, newspapers, and Internet sites.

The Haunting, the original version. Why is because it truly creeps me out and edges between psychological and possible supernatural.

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Elizabeth Bourne: Writer and photographer Elizabeth’s fiction has been published in Black Lantern, Fantasy & Science Fiction magazine, Interzone and Clarkesworld. She loves writing genre and is currently working on a second-world fantasy novel and a mystery set in prohibition era San Francisco.

My #1 go-to Halloween movie is The Haunting, based on Shirley Jackson’s phenomenal, and phenomenally creepy, book The Haunting of Hill House. This is one of those wonderful instances where the book and movie are equally good. What higher praise can there be than that Stephen King wrote Rose Red (shot in Tacoma’s Thornewood Castle) as an homage to this masterpiece.

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William F. Nolan: William F. Nolan writes mostly in the science fiction, fantasy and horror genres. Though best known for coauthoring the acclaimed dystopian science fiction novel Logan’s Run with George Clayton Johnson, Nolan is the author of more than 2,000 pieces (fiction, nonfiction, articles and books), and has edited twenty-six anthologies in his fifty-plus year career.

Alien and The Fly (1986) – and Blood of Dracula. All damn scary.

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Stina Leicht: Stina Leicht is a sf/fantasy writer living in central Texas. Her latest novel is titled Cold Iron, a new secondary world flintlock fantasy series for Simon and Schuster’s Saga Press. The next book in the series, Blackthorne, will be released in 2017. Her second novel And Blue Skies from Pain was on the Locus Recommended Reading list for 2012.

Things get scary in the 1976 Carrie.

Because of my love of good horror I can’t limit myself to one film. So, here are my four favorites. The first is The War of the Worlds (2005). It has layers beyond the main plot. It talks about the transition from boy to man. Both Ray and his son, Robbie, demonstrate this growth forced upon them by tragedy. (Too bad the women don’t.) The scene in the basement of the farmhouse packs a wallop. Also? The tripod animation just rules. My next pick is Invasion of the Body Snatchers (1978). Like WotW, Body Snatchers has been remade quite a bit, but the team of Donald Sutherland, Brooke Adams, Jeff Goldblum and Veronica Cartwright did it best. The film is extremely creepy, particularly the end. I’m a huge Stephen King fan, and I’m torn between The Mist (2007) and Carrie (1978), but I’ll pick Carrie today. Sissy Spacek captures Carrie’s frail vulnerability perfectly. And that’s the important thing to remember about Carrie, I feel — it’s that transition from victim to perpetrator that is so relevant today. It says a lot about extremist Christianity and misogyny. My last pick is between American Werewolf in London and Cabin in the Woods (2012). Joss Whedon isn’t perfect — no one is — but Cabin is a gem from the first scene to the last. Price of admission is the merman scene.

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Josh Rountree: Josh Rountree’s short fiction has been published in a variety of magazines and anthologies, including Realms of Fantasy, Polyphony 6 and Happily Ever After. His short fiction collection, Can’t Buy Me Faded Love, is available from Wheatland Press. His first novel, Alamo Rising, was co-written with Lon Prater and is now available from White Cat Publications.

The Shining. It’s different than King’s book but just as amazing in its own way. Both the movie and the book still scare the crap out of me every time.

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Derek Austin JohnsonDerek Austin Johnson has lived most of his life in the Lone Star State.  A member of the Turkey City Writer’s Workshop, his work has appeared in Rayguns Over Texas! edited by Rick Klaw, Nova Express, Moving Pictures, Her Majesty’s Secret Servant, and Revolution SF.  His film column “Watching the Future” appears each month on SF Signal.

Pontypool (2009, d. Bruce McDonald). There’s much to love in this suspenseful movie, from the claustrophobic setting to a surprising amount of humor. Combining elements of Henrik Ibsen’s A Doll’s House and director Danny Boyle’s 28 Days Later, Pontypool stands as one of the most intriguing of zombie movies.

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Scott A. Cupp: Scott A. Cupp is a writer from San Antonio who has been associated with the science fiction community for more than 40 years. He has been a regular reviewer at Mystery Scene magazine, where he reviewed western and horror novels, and at the Missions Unknown blog, where he did columns on Forgotten Books and Forgotten Films.

The more recent film Pontypool puts a new twist on zombie invasions.

When the Halloween season comes around I love catching up on great horror films. Among those I remember fondly this time of year are William Castle’s 13 Ghosts which I saw when I was 8 or 9. You had a special viewfinder to see or not see the ghosts when they appeared. Of course, I watched them all, then I had to walk home in the dark. Every shadow haunted me on that trip. As more of an adult, I loved the original Lugosi Dracula, particularly when Van Helsing and crew kill Lucy Westenra in the crypts of London. It was a creepy scene heightened by my memory of that particular passage in the novel, which is one of my favorites. Of course, my forgotten film this week, The Leopard Man, has a scene where a young girl afraid of the dark has been sent out for corn meal to make her father’s tortillas. On her way home she encounters a leopard that has escaped its leash. She runs home screaming to be let in but the door is bolted and her mother feels she is shirking her duties. The cries and beatings get more frantic and suddenly the screams are visceral and there are other, animal sounds. Then there is silence as blood seeps under the door. All in chilling black and white. This is noir horror at its best. I also love all of the 1963 version of The Haunting for its psychological terror.

Forgotten Book: Space For Hire by William F. Nolan (1971)

Psychedelic cover art isn't the only thing going for Space for Hire.

Review by Scott A. Cupp

This is the 156th in my series of Forgotten Books.

William F. Nolan has been around a long time and produced a great body of work. Most famous for his collaboration with George Clayton that gave us LOGAN’S RUN. He’s worked in the teen market, star biographies, non-fiction, mystery, television and film industries. He’s won the Life Achievement Award from the International Horror Guild, the Horror Writers of America, and the World Fantasy Convention. He is an Author Emeritus of the Science Fiction Writers of America. He has also won the Mystery writers of America Edgar Award a couple of times.

I first encountered his work in short story form in the mid 1960’s and then found LOGAN’S RUN. I liked what I read. I later met him at a couple of conventions and found he was a pretty nice guy. In 1987, Joe Lansdale and I took our families on vacation to southern California and one evening was spent over dinner with Nolan, RC Matheson, and David Schow. This was a very fun trip.

So, I was ready for a really good time when I picked up SPACE FOR HIRE the other night as a book to read. It’s an early mystery/science fiction combination. Nolan has a passion for the Black Mask Boys – Raymond Chandler, Dashiell Hammett, and Erle Stanley Gardner (with three novels featuring the characters, formal biographies of Hammett, and an informal study of the three writers).

This book was fun. Sam Space (it only takes one small straight line to convert that to Spade) is working on a case for Esma Pitcairn Umani (a striking Venusian woman with three heads and the skill to use all three of them. Her father, Dr. Emmanual Quantas Umani, is working on a secret project. His enemies are fairly successful at killing him, but he has perfected the process of transferring his mind to other bodies. Unfortunately, his supply is low and he needs Space to accompany a load a fresh bodies from Allnew York and see that they arrive safely on Mars. It’s a simple job.

But no job is ever simple. On the trip he meets Nicole, a stunning red head with winking nipples who wants to seduce him. He gets hit with drugs and finds he has missed his return trip and Dr. Umani and Esma have been killed.

This would normally be the logical end of the story, but logic plays no part in this story. There are alternate realities, multiple versions of each person, time travel, Zubu birds from Pluto, gungoons, the Robot King of the Solar System and his pet dragon, and many more twists and moebius style turns.

At first I was skeptical but the story got wackier and wackier until I was absolutely loving it. So, give it a look if the above piques your interest (and even if it doesn’t). Nolan is a demonstrated master of many forms and they all run wild in here.

As always, your mileage may vary, particularly if you have trouble with the whole cross genre thing.

Series organizer Patti Abbott hosts more Friday Forgotten Book reviews at her own blog, and posts a complete list of participating blogs.